当前位置: 查字典论文网 >> 论盖茨比悲剧的必然性

论盖茨比悲剧的必然性

格式:DOC 上传日期:2023-01-30 01:29:46
论盖茨比悲剧的必然性
时间:2023-01-30 01:29:46     小编:

Abstract

Key Words

Gatsby; the American dream; tragedy; personification

摘 要

《了不起的盖茨比》是20 世纪20 年代美国著名作家菲茨杰拉德的一部反映美国梦破灭的小说,也是一则被赋予了深刻含义,充满譬喻和警句的语言。本文从盖茨比之梦的实质、盖茨比性格中的不足以及社会历史原因等多方面探讨了导致盖茨比梦毁人亡这一悲剧必然因素。 菲茨杰拉德曾这样总结那个时代的特点:一切神明都统统死光,所有战争都已经统统打完,所有信念都已经统统完蛋。爵士乐时代的人蔑视一切传统的价值观念,反叛老一辈人所遵从的道德风范。 小说结尾,作者更是以人们的冷漠和盖茨比葬礼的冷冷清清彻底反映了20 世纪20 年代美国社会人性的冷酷与丑恶。在这样的社会,盖茨比从一开始就注定是孤立无助,注定是要失败的。

关键词

盖茨比; 美国梦; 悲剧; 化身

Introduction

The paper is analyzing the inevitability of the hero Gatsby’s tragedy by examining the essence of Gatsby’s dream, the potential destructiveness in Gatsby’s characters and social-backgrounds that lead to Gatsby’s destruction.

I. Description of Gatsby’s Dream

A. Origin of Gatsby’s Dream

“Then he returned the wallet and pulled from his pocket a ragged old copy of a book called Hopolong Cassidy “look here, this is a book he had when he was a boy. It just shows you.” He opened it at the back over and turned it around for me to see. On the last fly-leaf was printed the word SCHEDULE and the date September 12, 1906 and underneath:

Rise from be……………………………………… 6.00 A.M

Dumbbell exercise and wallscaling……….6.15-6.30A.M

Study electricity, etc……………………….7.15-8.15 A.M

Work …………………………………………8.30-4.30P.M

Baseball and sports…………………..4.30-5.00P.M

Practice elocution, poise and how to attain it 5.00-6.00P.M

Study needed inventions……………..7.00-9.00P.M” ( Fitzgerald, 2002: 206)

Above-mentioned shows that on the last fly-leaf of Hopolong Cassidy Gatsby used to read were recorded his transcending decision and a piece of strict timetable for working. Over so many years, Gatsby always persisted in it and observed it.

From the Schedule, as everyone knows, Franklin and Addison, giving a good example, depended on the struggle by themselves and got a success at last and their stories, which made every one believe that each youth could become a millionaire or the president of U.S in the future. In their age, the novels describing American Dream were best-sellers, but they gave the preaching contents: As long as one person was honest, patient and independent, he would have the equality with every one to do everything, namely, it is possible for him coming from the poor family to become a rich and noble person, while Gatsby was one of the believers of it. The dream which seemed to happen in fairy tales was the endless infinite power that encouraged Gatsby struggle for it. The author contact Gatsby’s pursuit with European emigrants’ ancient desire to New Continent, and Franklin, representing American Dream and its invert forms later, defined Gatsby’s tragedy as huge historical background and deep typical senses. The traditional model of American Dream, as many critics and writers pointed out, were full of falsity, especially under the condition of capitalism developed rapidly, and polarization intensified increasingly. It made a point of evidence that Gatsby made a fortune, relying on personal virtues, diligence and frugality. Since his childhood, Gatsby used to abide by Franklin’s teaching, and try to practice the main inquire of the traditional model, following his own comprehension and the background of 20-century society in U.S. it is vagary for one person to come to the fore, who only depended on virtues, diligence and frugality, however, Gatsby‘s story of getting rich just certified it. When he was young, Gatsby could not gain any appropriate consequence that he wanted to get, so that he was surrendered by his beloved lover Daisy, for he was penniless and fameless at that time. And later he absurdly became a millionaire. Obviously, it ought to be tremendous irony for him to believe in American Dream. By all appearances, as were same with other magnates at that time, Gatsby still understood and practiced following principles. Theoretically, borderland, (here referred to the whole American) were equal paradise to every one, and the reward completely owed to diligence, frugality and good luckiness, but in fact, the rewarding often depended on trickiness, greed and mercilessness, as well as cruel ruthlessness and completely rotten means. It is the American dream, but it is the origin of Gatsby’s dream.

B. Essence of Gatsby’s Dream

Even if his dream originated from American dream, the essence of Gatsby’s dream is the essence of American dream. With his growing, Gatsby’s American Dream went by an evolution when he was young. He dreamed making a good fortune, transcending common people and getting rid of poorness as much as the heroes written by Ben Franklin and Horatio Alger. Later he met Daisy by chance and then lost his heart to her, thus Daisy became the personification of his perfect ideal and the embodiment of concentrating his entire ideal, and the he endeavored to do everything in the direction of them. Because in his mind, Daisy represented all beautiful creatures of the upper class society in America, and in his memory, the first love between Daisy and him seemed to be a human fairyland, whereas, the cruel reality was that he lacked rich family supporting him and his love. The great disparity of their status made him sense that he had no right to touch her hand. “Gatsby was overwhelmingly aware of the youth and mystery that wealth impressions and preserves, of the freshness of many clothes, and of Daisy, gleaming like silver, safe and proud above hot struggles of the poor.” (Fitzgerald, 2002: 98)

As a result, the more perfect his ideal became, the more far away reality was.

C. Symbol of Gatsby’s Dream

In the novel, the green light represented that innocent Gatsby looked forward to the future, and at the same time longed for the history, namely, the green light represents his dream.

“Gatsby believed the green light, the orgiastic future that year by year recedes before us. It eluded us then, but that’s no matter—tomorrow we will run faster, stretch out our arms farther….And one fine morning. So we beat on, boats against the current, borne back ceaselessly into the past.” (Fitzgerald, 2002: 188)

American Dream actually originated from the past, and made him sincerely persist in the traditional ideal foundation; however, when he was borne back ceaselessly into the past, he made efforts for exploring various possibility in the future. To some extent, Gatsby’s love to Daisy reflected his wonderful memory of the past. Four years before, he realized her and then loved her. It was deeply engraved on his mind of original love. In the long time, to the love of missing Daisy, Gatsby memorized that Daisy fantastically became a beautiful miracle story in his mind, a historical event with wonderful experiences and a fairy maiden in a mysterious Vail. He desired to make the historical past transform to the future with same historical meaning through his own persistent efforts. And this green light representing his good ideal echoed with a fresh green breast of the world mutually at the end of this novel, which made Gatsby’s experiences indicate the whole America’s ones; nevertheless, after five years when Gatsby met Daisy again, the miracle Daisy had lost her original glory. The distinction between ideal and reality was huge.

““And she doesn’t understand,” he said: “she used to be able to understand. We’d sit for hours—”He broke off and began to walk up and down a desolate path of fruit rinds and discarded favors and crushed flowers.

“I wouldn’t ask too much for her,” I ventured, “you can’t repeat the past.”

“Can’t repeat the past?” He cried incredulously. “Why of course you can!” He looked around him wildly, as if the past were lurking here in the shadow of his house, just out reach of his hand. “I’m going to fix everything just the way it was before,” he said, “nodding determinedly she’ll see.””(Fitzgerald, 2002: 130-1)

Through these words, author gave highly emphasis to the figure of Gatsby, as if American Dream between golden past and golden future always suffered from the realistic betrayal and crush—the realistic world appearing in front of people was bleakness and dejection that “it was full of fruits rinds and discarded favors and crushed flowers” here and there. Gatsby could not build his hope future on the basis of cruel reality. He uniquely recalled the past, only to make the past illusion take place of the reality and future. He could not face squarely the reality of uniting the past with the future in the realistic environment. These reflect the essence of Gatsby’s dream.

II. Ideal Personification: Unworthy of Name

Gatsby’ ideal personification in his mind is Daisy, because she was just a beautiful woman and the Gatsby’s first lover. Surely, he loved her very much; however, Daisy was rather earthly woman and bad virtue.

A. A Worldly Beauty

Woefully, Daisy was not as perfect as Gatsby always imagining in his mind, and his ideal personification that Gatsby desperately sought was only a badly worldly beauty with a good appearance and empty soul. In a cocktail party once held by Gatsby, when Daisy with her husband —Tom came to Gatsby’s mansion together, Gatsby, being a host, of course serving them, especially serving Daisy, introduced all customers to them one by one. When they came to the front of a pair of outstanding ones, he gave them a special introduction and description:

““Perhaps you know that lady,” Gatsby indicated gorgeous, scarcely human orchid of a woman who sat under a white plum tree. Tom and Daisy stared, with that particularly unreal feeling that accompanies the recognition of hitherto ghostly celebrities of memories.

“She’s lovely,” said Daisy.

“The man bending over is her director.”” (Fitzgerald, 2002: 120)

Seen from the surface, it is a very elegant picture, as the famous drawing in the world was exciting, while observed from the essence, the picture was none of deep sense. The scene of the movie picture star and her director never appeared in reality but in a rehearsal. After the author finished introducing other scenes, he took readers’ attention to the pair of figures again, giving readers a static and wonderful image, as if readers went to the back of the white plum tree and saw another scene.

“It was like that. Almost the last thing I remember was standing with Daisy and watching the movie picture director and his star. They are still under the white plum tree and their faces were touching except for a pale, thin ray of moonlight between them. It occurred to me that he had been very slowly bending toward to her all night this proximity, and even while I watched I saw him stoop one ultimate degree and kiss at her cheek. “I like her”, said Daisy, “I think she’s lovely.”” (Fitzgerald, 2002: 127)

““She’s got and indiscreet voice,” I remarked. “It’s full of -----” I hesitated.

“Her voice is full of money,” he said suddenly.

That was it. I’d never understood before. It was full of money—that was the inexhaustible charm that rose and fell in it, the jingle of it, the symbols’ song of it……high in a white palace the king’s daughter, the golden girl……”(Fitzgerald, 2002: 143)

Without doubtness, Daisy was the concrete embodiment of epicurean: money first and material prominent.

B. Bad Virtue

Contrast with Gatsby’s hospitality, spoon and romantic, Daisy possessed neither romantic ideals like Gatsby nor the real sacrificial bravery of sacrificing for the ideal, only to desire for comfortable worldly life. It was true that she loved Gatsby, but later in order to enjoy magnificent and comfortable life, she married Tom against her wills.

As she found that Gatsby was richer than Tom Buchanan, she returned to Gatsby, the climax of the novel was arranged in a hotel, when Tom told the fact that Gatsby was a bootlegger and his wealth was illegal, Daisy shrank at once. “ ‘Even alone I can’t say I never loved Tom,’ she admitted in a pitiful voice, ‘It wouldn’t be true’. ” (Fitzgerald, 2002: 158) Impatiently, after Daisy cracked up Tom’s mistress by chance when she drove, she escaped away with her husband Tom together, and left the responsibility and guilty to Gatsby; what’s worse, she had little courage to admit the fact that she herself was the wrecker indeed. Gatsby loved a person who was a coward and lack of virtues and sincerity, but he still considered her as his best ideal, and voluntarily accepted all responsibilities and sacrificed his life, all of which caused Gatsby’s tragedy; whereas, owing to Daisy’s betrayal, his death was innocent, and it was Gatsby’s tragedy that he was surrendered by his own ideal Daisy and paid too high cost for his empty dream.

III. Potential Destructiveness in Gatsby’s Characters

The inevitability of Gatsby’s tragedy was related to the potential destructiveness in his character, namely, some factors in his character caused his life and ideals destroyed.

A. Obstinate Character

Gatsby was the believer and follower of American Dream who thought the opportunity was equal to everyone in the society and fantasized to prompt into upper class society like Daisy. Nevertheless, the upper class society which represented by Daisy and Tom never put up with Gatsby as well as his being. Tom was very proud selfish and cruel, lacking essential virtues and moralities. In his eyes, he could never abide by sharing the privilege which the noble people only owned and shared with Gatsby together. No matter who is he? If he dared to talk about the equality, he must die of it. Therefore, though Gatsby made a ladder to the fairyland in people’s mind by his illegal wealth, he could not take a place and space in the upper class society and equally share the magic and milk. However rich he was, however his name and luxurious cars he exchanged, he was still an unimportant person who came from the low class society, consequently, he was always attacked and squeezed out. Gatsby would not accept the fact he never did it but Gatsby still struggled for his dream repeating the past with Daisy and got rich by hook or crook, especially by illegal methods. So he was obstinate in his mind, actually, he was not stupid but foolish. Doubtlessly, it is inevitable that his American Dream was disillusioned.

B. Foolish Character

Actually, Gatsby is a real foolish gentleman, because he fantasized about getting a pure love, and thought of a worldly beauty as the symbol of perfect ideal. In order to get his ideal love, Gatsby struggled his feet from the low class society and devoted himself to Daisy. He innocently believed that as long as he got rich, he could repeat the past with Daisy. Different from other people in Jazz Age, Gatsby was a pure romantic gentleman. “Gatsby bought that mansion so that Daisy would bi just across the bay.” (Fitzgerald, 2002: 93) Although Daisy once returned to his body, he could not satisfy it. What he wanted to get was not that he endowed with great charm, but that he wanted nothing less of Daisy than that she should go to Tom and say: “I never love you. After she had obliterated four years with that sentence they could decide upon the more practical measures to go back to Louisville and be married from her house— just as if it were five years ago.” (Fitzgerald, 2002: 130) However, the essence of Daisy decided that the dream of Gatsby’s pure love was inevitably disillusioned.

C. Ignorance

In fact, Gatsby was serious ignorance of the upper class society for he did not recognize the essence of the upper class society clearly: For Gatsby, the realistic background of Daisy’s family and her social intercourse actually became a kind of ideal symbol that is beyond reality and agreement with the myth circumstances. As an unknown and penniless man, Gatsby was just beyond reach, so he spent all his energy struggling for and weaving his ideal and dream, so that he could not see through the hypocrisy and the ugliness hidden in beauty and luxury. While he was alive, he constantly held tremendous feasts and had an endless stream of visitors. In his blue gardens men and girls came and went like moths among the whisperings and champagne and the stars, but after he was dead, no telephone message arrived, but the butler went without his sleep and waited for it until four o’clock—until ling after there was any one to give it to if it came. On Gatsby’s funeral ceremony,

“about five o’clock our procession of three cars reached the cemetery and stopped in a thick drizzle beside the gate—first a motor hearse, horribly black and wet, then Mr. Gatz and the postman from West Egg ,” what’s worse, “I could only remember, without resent, that Daisy hadn’t sent a message or a flower.” (Fitzgerald, 2002: 208)

Daisy went far away with his husband Tom; Gatsby’s funeral ceremony was rather lonely. Perhaps, it was the essential face of upper class society. Gatsby was so lack of mind and discerning power that he was fatally destroyed. His destruction was not only in physic but in spirit or morality; unfortunately he did not realize it when he was died.

D. Innocence

The most obvious destructiveness in his characters is that Gatsby was very innocent. It is a poetic and romantic scene that hid serious facts. Under the wasted and luxurious surface hidden, Gatsby’s inner heart went by cruelty—he must think and build desire for reality of ideals in the fantasy and impractical scene, and finally find someplace beneficial for him to become practical possibility. It was the focus of the question that all his efforts were to attract a his original lover Daisy’s attention and to make her return to his body, but Gatsby made an ostentations show of one’s wealth with beyond words describing and the ostentation contained fatal factors, so luxurious party made the focus of the question ambiguous.

“There was music from my neighbor’s house through the summer nights. In blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. At night tide in the afternoon I watched guests spaning from the tower of his raft, or taking the sun on the hot sand of his beach while his two motor cars slit the waters of sound, drawing aquaplanes over cataracts of foam. On weekends his Roll-Royce became an omnibus bearing parties to and from the city between mine in the morning and ling past night. While his station wagon scampered like a brisk yellow bug to meet all trains. And on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing-brushes and hammers and garden-shears, repairing the ravages of the night before.” (Fitzgerald, 2002: 47)

The possibility of realistic life was based on materials, and the ideals fell to the second place, however, in the extremely luxurious world of materials—personal beach, mansion, Roll-Royce, etc.—Gatsby went into a marvelous state which was out of practice. His magnificent cocktail party attracted innumerable celebrities coming from upper class society. Some people were envious ones, others were visitors’ guests, but they had the same motive for showing off their noble status, sharing luxurious material life, hardly making them drop out of the day. They could be proud of attending the noble cocktail party. This kind of servile and worldly psychology made them spend weekends in a continuous, made Gatsby certainly exhaust lots of money to express his generosity and hospitality, with a result, on Mondays eight servants, including an extra gardener, toiled all day with mops and scrubbing –brushes and hammers and garden-shears,, repairing the ravages of the night before.

These are key important words in this part. Though it could made people produce the association of fairy tale, yet it possesses deep sarcastic meaning and innuendo function, which buried a foreshadowing for Gatsby’s tragic consequence; in addition, it is more wonderful to casually add “extra gardeners, as if his guests had broken the harmony of original natural beautiful view,” and made the original poetic and drawing scene badly messy. In this novel, using a superb metaphor, the author shows to readers that the most suitable place to record these guests’ names was on the empty spaces of an old and broken timetable, because these guests the world their embodying were fantasizing as short as time, a flash in the pan, and they would never came back with time passing at last, as a piece of overdue train timetable left people a little dim memory. What they represented was only some misshapen scraps crushed by reality of American Dream, and these guests came to visit Gatsby in a continuous stream, because he had motor-boats, personal beach, luxurious cars, as well as various cocktails and balls’ parties. More importantly, they all followed blindly impractical reality with their illusion and showed off themselves and their own values, while Gatsby was willing to invite them to take his party. Because of his incomplete American Dream, without seeing and touching the realistic hope, he used the form of material to create the ideal world and practice his life dream. It was a fact that Gatsby needed them to decorate mansion for his face and in turn they needed Gatsby’s hospitality to raise their status. So their mutual needs made them go together, nevertheless, their own goals were completely different, and their life experiences were also more different. No matter how dazzling and luxurious the parties were, no matter how hospitality Gatsby powered, the gat between Gatsby and them always existed for ever, in that fantasy and reality acted in direct contradiction as two trains in same direction could not merged together. Followings indicate it:

“The caterwauling horns had reached a crescendo and turned away and cut across the lawn toward home. I glanced back once. A wafer of a moon was shining over Gatsby’s house, making the night fine as before, and surviving the laughter and the sound his still glowing garden. A sudden emptiness seemed to flow now from the windows and the great doors, endowing with complete isolation the figure of the host, who stood on the porch, his hand in a formal gesture of farewell.” (Fitzgerald, 2002: 66)

The phrase is a description with profound meaning. It makes people to come to realize the fickleness of human relationships and to feel the desolation and depression, and makes people feel his endurance of desire for ideals and inner pain. He lonely stood on the porch, his hand up in formal gesture of farewell, which made his figure outstanding protrusion and conspicuousness.

Therefore, the obstinate, foolish, ignorant and innocent characters are destructive characters, and they make Gatsby’s tragedy become more possible.

IV. The Decadent and Ruthless Social Reality

A. Cruel social Society of U.S.A

In the society of the lost ideals, Gatsby was a hot and romantic idealist, and his marvelous genius to the hope and romance made him turn a blind eye to American cruel social reality and desperately sought after impractical romantic love, even tried redeeming his lost pleasure together with Daisy in the past by a plenty of money; besides, he still obstinately believed that one person could fulfill the dream through his own ideal by hook or by crook, and even if he met huge trouble or problem, he would take his heart to fulfill his own dream with all his efforts, whereas, the power of opposing Gatsby was bourgeoisie groups represented by Tom and Daisy. The novel really responded to the struggle for statuses between the new noble men and the old groups. Tom and Daisy were extreme egoists and real materialist, Tom asserted in public “this fellow has worked out the whole thing. It’s up to us who are the dominant race, to watch out or these other races will have control of things,” (Fitzgerald, 2002: 15) while Daisy was same to echo others’ opinions. In Tom’s eyes, though Gatsby was only nobody whose life story no one knew, he who was a young magnate was aggressed by Tom who never took a casual attitude to Gatsby since he knew Gatsby. Gatsby wan the absolute victory when he competed with Tom to gain Daisy’s love, but Tom was not willing to give it up, furthermore, he took mean measures and decided to kill Gatsby to death. For this purpose, Tome rushed at Gatsby like a hungry beast, to kill Gatsby’s dream with continual dirty dust.

It was like this, because of Tom’s conspiracy and betrayal, Gatsby was tragic death. At last, the symbol meaning of Gatsby’s experiences and his broken dream is very clear:

“Most of the big shore places were close now and there were hardly and lights except the shadowy more glow of a ferryboat across the sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes-----a flesh, green breast of the new world. It’s vanished trees, the trees that had made way for Gatsby’s house had once pandered in whispers too the last and greatest of all human dreams; for a transitory enchanted moment, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder. ” (Fitzgerald, 2002: 214)

Therefore, he could not see through the cruel society in America at that time.

B. Social Value Trend

Gatsby was one of typical representatives of American Dream that all generations of American people pursued. He was really penniless before he had fulfilled his ideals, but at last he was overwhelmed by decadent ruthless society. No matter how did Gatsby struggle for it, he could not get into the upper class society; no matter how did he do hard, he could not get Daisy and her heart; even if he tried his best effort to fulfill his dream, he was destined to fail at last. People could learn something from the Gatsby’s tragedy that the upper class society in America was affected by American rotten life for pleasure, the world was the place where rich men could share life, and that was a daydream for any one who wanted to seek for the pure love and sincere happiness there. Because Gatsby held different social value from common American people, the tragedy of believer and follower —Gatsby persistently seeking for American Dream asserted the bankruptcy of American Dream.

Conclusion

Gatsby’s final destructiveness was the consequence of Tom’s plotting and framing. It was superficial phenomenon that Tom, the real murderer of murdering Gatsby, represented the upper class society and committed the crime, but the deep connotation was that upper class society ruined Gatsby’s dream in spirit. Gatsby’s falsity was that he was too innocent to see through that his beloved Daisy was as dishonest and unconscientious as Tom, and they unique possessed selfish, cruelness, falsity, deceit as well as narrowness. In the cocktail party Gatsby held, Tom and Daisy smashed up things and creatures and then retreated back into their money or their vast carelessness, or let other people clean up the mess they had made, so Daisy was not worthy for Gatsby to devote himself to her, and he lived in cruel environment.

“So we beat on, boats on against the current, born back ceaselessly into the past”(Fitzgerald, 2002: 215). To repeat the past, Gatsby devoted all to his dream, but at last his efforts were hopeless. Actually, this was an ode of personality separated in special time and space. Gatsby tried practicing his figure again, prompting into upper class society and regaining original ideal beloved Daisy, whose actions were magnificent and epic, but he was destined to fail because his various efforts were sarcastic. He made a lot of lies for getting Daisy, yet she was only a beautiful body with good appearance and bad virtues, so Daisy has no qualification to be the person who Gatsby devoted his life to.

Owing to his innocence, lacking of discerning power and self-comprehension, Gatsby fell into the trap that the social evil power set for him. Owing to his honestness, kindness, determined beliefs, tense desire and firm decision, he believed that he could build a real fairy-land. Doubtlessly, the description of American Dream was perfect, but the realistic world represented by Tom and Daisy was too absurd to withstand a single blow. Gatsby’s lack of mind and discerning power led to his final destructiveness——his destructiveness was not only in physic but also in spirit. It is human being’s tragedy.

Bibliography

[1] Arthur, Mizener. The Far Side of the Paradise: A Biography of F.Scott Fitzgerald Hilfflin Company, 1951.

[2] Bruccolio, Matthew. J. F. Scott. Fitzgerald: A Life in Letter. Penguin Popular Classics, 1994.

[3] Donaldson, Scott. Critical Essays on F. S. Fitzgerald’s The Great Gatsby[c]. Penguin Popular Classics, 1984.

[5] Fitzgerald, F. Scott. The Great Gatsby. Penguin Popular Classics, 1994.

[6] Fitzgerald, F. Scott. The Great Gatsby. Translated by Wu Quan and Jia Ting: YuanFang Press. The world library Press Company, 2002.

[7] Fitzgerald, F. Scott. This Side of Paradise. Hilfflin Company, 1991.

[8] John, Kuehl. and Jack Bryer, ends. Dear Scott/Dear Max. Penguin Popular Classics, 1994.

[9] Rubinstein, Annette. American Literature Root and Flower. Beijing: Foreign Language Teaching and Researching Press, 1998.

[11] 黄绍湘. 美国通史简编[M]. 北京: 人民出版社,1979.

[14] 巫宁坤. 了不起的盖茨比/夜色温柔[M]. 南京: 译林出版社,1998.

[15] 张礼龙. 美国梦的演变与幻灭—《了不起的盖茨比》评析[M]. 外国文学研究出版社, 1998.

全文阅读已结束,如果需要下载本文请点击

下载此文档

相关推荐 更多

《了不起的盖茨比》:缥缈的梦,幻灭的人生
发布时间:2023-07-20
摘 要:《了不起的盖茨比》是美国作家弗・菲茨杰拉德的代表作之一。第一次世界大战以后,美国进入了历史上一个空前繁荣的时代。“美国梦”像一个在半空游荡的色彩斑斓的大气球,使一代美国人眼花缭乱,神魂颠倒。盖茨比是20世纪20年代......
杜丽娘与朱丽叶的爱情悲剧性比较
发布时间:2023-08-04
【摘要】杜丽娘和朱丽叶两人的爱情悲剧以不同的结局收场,其中隐藏在爱情悲剧背后的原因却大相径庭。对照她们的爱情命运,可以更好地了解当时东西方社会的女性爱情观以及导致她们爱情悲剧的深层次原因。本文力图通过对两个女性的对比......
比尔·盖茨被拒哈佛同班聚会的尴尬
发布时间:2023-07-24
众所周知,比尔・盖茨于1973年考进哈佛大学,本应于1977年毕业,他却于1975年中途退学,创立了微软公司,并最终成为全世界最富有的人。 因多次向母校慷慨捐款,2007年6月7日,哈佛大学举行了隆重仪式,不但邀请比尔・盖茨为新一届......
《了不起的盖茨比》多元叙事手法探析
发布时间:2023-06-07
摘 要:电影《了不起的盖茨比》是根据菲茨杰拉德的同名小说而改编的,故事的背景要追溯到第一次世界大战后期,发生在美国,影片向观众讲述了主人公在事业上的奋斗历程以及在感情上的坎坷经历,展现了“美国梦”的拥有和覆灭。整个故事......
浅析莎士比亚“四大悲剧”中的女性形象
发布时间:2023-06-26
摘 要:莎士比亚是著名的剧作家,尤以悲剧见长。本文对“四大悲剧”――《哈姆雷特》、《麦克佩斯》、《李尔王》、《奥瑟罗》中的典型女性形象进行分析,从“天使型”女性形象和“恶魔型”女性形象两种类型出发,结合时代背景,对比中......
黄仲则的性格悲剧
发布时间:2023-01-25
西历1783年,亦即清乾隆四十八年,本是一个容易被人忽略的年份,因为这一年并未发生惊天动地、足以影响后世历史进程的大事件。但在乾隆诗坛上,这一年暮春的四月二十五日,则是一个令人欷[慨叹的时刻。这一天,乾隆年间天才旷逸、极富......
生态批评视角下解读《了不起的盖茨比》
发布时间:2023-06-07
【摘要】本文以生态批评为理论支撑,对《了不起的盖茨比》进行词汇层面的语言分析,旨在探讨《了不起的盖茨比》中所体现的人类中心主义思想,从而进一步加深对《了不起的盖茨比》的解读与理解。【关键词】生态批评;人类中心主义;《了不起的盖茨比》一、引言20世纪以来,随着人类科学技术及近代工业的迅速发展,环境的破坏问题愈演愈烈,同时人们的精神思想也在发生着很大的变化。《了不起的盖茨比》是美国二十世纪杰出作家弗・.........
《了不起的盖茨比》中的象征意象与美国梦
发布时间:2023-07-12
摘 要: 爵士时代的代表作家菲茨杰拉德在小说《了不起的盖茨比》中成功地运用象征手法,展现了美国二十世纪二十年代的生活现状,再现了美国年轻一代从对美国梦执著追求,到被金钱腐化,从而梦想破灭,继而又梦想重生的过程。菲茨杰拉......
中国电视剧的女性悲剧形象
发布时间:2023-07-22
1前言 中国封建礼教二千年的扼杀为女性悲剧的诉说留下了广阔的空间,而封建社会结束后,其在人们心目中根深蒂固的文化毒害并没有因封建王朝的灭亡而散去,改革开放后的女性正在打开一扇窗户的铁屋子里苦苦挣扎。因此,不管是处于政治......
一首现代悲剧的挽歌――论《逃离》的悲剧美
发布时间:2023-07-07
[摘要]爱丽丝・门罗的短篇小说集《逃离》,所写的八篇小说旨在述说着女性的故事,反映的内容是小地方的普通女性,折射着她们在平凡生活中的悲剧命运。本文主要从审美的悲剧性角度探析《逃离》中表征的女性形象的悲剧意味,特点以及背......
论白流苏的悲剧性生存困境
发布时间:2023-06-28
摘要:《倾城之恋》写的是一对工于算计的男女,并不存在真正的爱情,白流苏的再嫁是在费尽心机让自己卖得一个“好价钱”。在封建男权文化下,白流苏的出路就是婚姻,她的胜利不是爱情的结果,而是取决于偶然的战争因素,小说正是揭示......
从《我不是李白》看小剧场话剧在当代兴盛的必然性
发布时间:2023-01-17
小剧场话剧《我不是李白》于2008年4月20日结束了第五轮演出,在第五轮短短的15场演出中,该剧平均上座率达到99.5%。这样,该剧的总体演出场次突破百场,总体上座率达到了惊人的九成以上,创造出戏剧界的一个票房神话。该剧的成功因素是多方......
悲剧与革命―论雷蒙德·威廉斯的悲剧观
发布时间:2023-03-27
摘要:雷蒙德・威廉斯继承发展了马克思的悲剧思想,确立了悲剧及其悲剧经验的现代价值。本文以雷蒙德・威廉斯的现代马克思主义悲剧理论为研究对象,首先对悲剧概念进行界定,对悲剧理论进行溯源以确立悲剧的传统并进一步厘清历史进程......
严歌苓与池莉小说中的女性悲剧之美比较
发布时间:2022-12-20
《金陵十三钗》与《所以》都是女作家写作的以女性的情感、生存、命运为题材,表现了深厚的悲剧审美意蕴的当代小说。尽管两部小说的主人公在生存时代、社会身份以及性格特征上都相去甚远,却不约而同地展示了以“绝望”“毁灭”为主题......
论《金锁记》中曹七巧的性格悲剧
发布时间:2023-03-05
【摘 要】《金锁记》是张爱玲的作品之一,其刻画的主人公曹七巧是最彻底的悲剧性人物。本文将从七巧的三个不同人生阶段来分析七巧从一个自然的人变成一个半自然的人直至最后颓变为一个非自然的人的性格裂变轨迹,从而来证明:七巧自身......
程蝶衣形象的悲剧性
发布时间:2023-07-06
陈凯歌导演的电影 《霸王别姬》 是一部以迷恋与背叛为主题的电影, 主要讲述了程蝶衣和段小楼两个京剧演员的变幻人生。 他们以艺术为生, 却在日军侵华、 国民革命和文化大革命的时代风云变化中, 谱写了属于自己的命运交响曲。 程蝶衣......
浅论《安德洛玛刻》的悲剧性意味
发布时间:2022-11-21
摘 要 当特洛伊战争爆发,赫克托尔作为国之柱石,在城墙上和挚爱的妻子告别的时候,就注定了之后战死沙场、妻儿流散的结局。孀妻弱子在纷飞的战火中,战败的结局下,会有怎样的遭际略略一想便让人心痛不已。因此,这一古希腊神话中的......
盖茨比美国梦的幻灭—透视现实生活中的爱情
发布时间:2023-02-07
AbstractThe great Gatsby lived in the period of the First World War, when people were suspicious about the traditional notions and intended to break out them. In the novel, Daisy is a woman who was born in a rich family......
792亿美元再当首富 比尔·盖茨成人间财神
发布时间:2022-07-23
792亿美元再当首富 比尔・盖茨成人间财神神2000多万元建分寺 释永信将少林寺开出国门门 微软公司创始人、堪称“人间财神”的比尔・盖茨再次坐上了全球财富第一宝座,这也是他在过去21年里第16次登顶《福布斯》全球富豪榜 “人间财神......
论尼采的悲剧思想
发布时间:2023-07-23
一、尼采悲剧的诞生 尼采的悲剧世界观强调,只有在酒神状态中,人们才能认识到个体生命的毁灭和整体生命的坚不可摧,由此才产生出一种快感,一种形而上的慰藉。在悲剧中所体现出的人生态度是一种非科学的、非功利的人生态度。尼采对西......
廉价的牛顿爱因斯坦和高价的比尔盖茨-新经济危机论
发布时间:2023-04-03
牛顿定律是一种 自然 科学 ,这种自然科学对一个人的投资和收益而言,是很难和实用的商品相比,它不可能象商品一样拿来交换得到货币和利益,国家和个人对科学的投资可能是没有利润和具体的实物产出的,而这种投资又是国家必须去完成的。......
比尔·盖茨现实的自由与斯多尔曼超越的自由
发布时间:2023-03-27
【摘要】在数字技术发展迅猛的时代背景下,在虚拟空间里发生的知识产权保护是一场新的“圈地运动”。在软件的世界里,斯多尔曼与盖茨是“反强权”与“强权”斗争的两极。他们是针锋相对的两方,却在追求自由的道路上殊途同归,二者的......
论基础教育公共性的必然
发布时间:2022-10-24
在基础教育中,学生主要是家庭的,还是社会的,这是一个非常重要的前提性假设,也是制定教育法律法规和现实学校教育实践的重要基础。目前国际教育的主要共识是学生既是社会的,同时也是家庭的,所以西方国家教育法规普遍对家庭和学校一......
注定的悲剧
发布时间:2022-09-29
摘要:纳撒尼尔霍桑是美国文学史上最重要的浪漫主义文学大师。本文通过分析其短篇小说《胎记》中的男女主人公的性格特点,深刻揭露了极端科学主义者违背客观规律,残害无辜女性的丑恶行为。同时也指出任何科学研究的前提是必须尊重自然规律,盲目利用科学手段去追求完美的任何尝试最终都会以悲剧告终。关键词:《胎记》阿尔默乔治亚娜悲剧纳撒尼尔霍桑是美国十九世纪杰出的浪漫主义小说家和心理小说家。他的短篇小说尤为著名,且大.........
悲剧精神的正义论
发布时间:2023-03-10
[摘要] 按照理性主义的观点,由于正义愿望与历史阻力之间的永恒冲突,正义蕴含着悲剧精神。首先,在发生论上,悲剧滥觞于古希腊,而古希腊悲剧常产生在人的命运与正义的关系问题上,具体表现常演化为哲学家对正义问题的思辨及论争,文......
紫貂的悲剧
发布时间:2015-08-21
在日本北海道地区,生活着一种紫貂。紫貂的皮毛称貂皮,极其珍贵。因而紫貂成为当地狩猎者最爱捕捉的对象。狩猎者一般不用猎枪,因为子弹会击穿貂皮,有弹洞的貂皮卖不出上等的价钱。因此,狩猎者大多采取活捉的方式捕获紫貂。 开始......
《源氏物语》与《红楼梦》悲剧性的社会、伦理层面比较
发布时间:2014-01-22
《源氏物语》与《红楼梦》悲剧性的社会、伦理层面比较 一、社会层面:为没落贵族阶级谱写的挽歌《源氏物语》与《红楼梦》分别反映了所处的贵族社会由盛及衰的没落。《源氏物语》产生之时正值日本历史上有名的“摄政关白”时代,表面上百......
阿炳的悲剧与《二泉映月》悲剧的艺术
发布时间:2023-02-13
〔摘要〕著名民间艺术家瞎子阿炳的《二泉映月》以其凄凉优美的旋律感人肺腑,发人深思。阿炳的一生充满苦难,但是他却不屈不挠,毅然和苦难的人生进行抗争,完成了一曲又一曲的乐曲创作,充分反映出了一位民间作曲家的铮铮傲骨与不屈......
普通高校音乐剧发展的必然趋势
发布时间:2022-08-16
摘要:音乐剧是当今国际社会最具影响力的艺术形式之一,它的发展已成为未来社会艺术领域发展的必然趋势。在普通高等院校大力发展音乐剧,不仅对高校的发展有重要的作用,也将大大提高我国艺术文化的国际地位。关键词:音乐剧;国内发展需求;高校发展重要性音乐剧是19世纪末起源于英国的一种歌剧体裁,它融合了文学、戏剧、诗歌、音乐、舞蹈、绘画、雕塑、建筑、服装、声光等多种艺术元素,具有艺术性、娱乐性、思想性、综合性和.........
命运悲喜剧
发布时间:2023-03-03
摘 要:李甲和王景隆是冯梦龙笔下的两个重要男性人物,两人出身相似,结局各异。本文从二人的经历、待人方式以及对爱情的追求等方面进行比较,发现封建纲常观念的差异和性格的不同是造成二人命运结局各异的主要原因。 关键词:性格......
论北岛诗歌的悲剧美
发布时间:2023-06-26
摘要:北岛是中国新时期“朦胧诗”的领军人物,其诗歌创作分为国内时期和1989年后海外时期两个阶段。以悲剧美为关键词,可从悲剧美的呈现、悲剧美的形成机制、悲剧美的文化动因三个方面考察北岛诗歌。北岛诗歌的悲剧美兼具中西文化的审美意蕴,对探索文学中“人”的命题具有深远的诗学意义。关键词:北岛诗歌;悲剧美;呈现方式;形成机制;文化动因中图分类号:I207.22文献标志码:A文章编号:1001-862X(2.........
论社会主义改造的历史必然性
发布时间:2023-01-26
1956年底,社会主义三大改造的完成,标志着中国开始进入社会主义初级阶段。有些学者对社会主义改造提出质疑或持否定态度。马克思主义的历史唯物主义告诉我们,分析史实时只有将其放在当时的时代背景下去考虑才能真正认识客观事实,社会......
男权话语狂欢下的女性悲剧
发布时间:2023-05-29
摘要:藏族作家阿来在他的代表作《尘埃落定》中塑造了一群女性形象。这些女性形象各自的悲剧性命运不仅仅表现出了藏族农奴制度中对女性的不公和压迫,更透露出在作者男权话语狂欢之下的女性性别悲剧。 关键词:女性;悲剧命运;男性“......
中国电视人物悲剧性的表达
发布时间:2016-05-30
1前言 声音提供了比视觉修辞中更为多样的修辞元素,在麦茨所描述的电影符号的五个媒介途径中,声音就占了三个人物语言、音乐和音响。李显杰在提到电影中声音的修辞时说:这使得电影中的声音修辞具有多样的架构组合方式:口头语言修辞......
企业社会责任必要性和必然性探讨
发布时间:2023-04-23
摘 要:企业社会责任指的是企业帮助利益相关者实现效用最大化的有关行为。从经济学来说,企业社会责任能够提升信息传达效率降低交易成本。从管理学来说,企业社会能够整合外部价值链和内部资源。而从法学来说,企业社会责任是“社会契......
《枕头人》与《阿甘正传》中的悲剧原型比较
发布时间:2022-10-23
[摘要]以弗莱的原型批评理论来比较《枕头人》与《阿甘正传》里的悲剧原型。《枕头人》中的卡图兰和《阿甘正传》中的珍妮有着相似的悲剧,都能在希腊悲剧神话中找到原型。卡图兰和珍妮有着相似的命运悲剧以及童年创伤的悲剧。 [关键......
被和谐的悲剧
发布时间:2022-08-07
一少一的《耳光响亮》是一篇关于尊严的小说。皮一修,一个普通基层警察,临近退休年纪的老人,在工作场合,被领导无辜掌掴。这辱没了他的人格,突破了他的做人底线。这又是一部关于规矩和纪律的小说。领导公然无视法纪,蔑视规定,老子天下第一,逼迫下属违反工作纪律。皮一修举报上级,反映情况,既是为自己找回人格尊严,更是为了维护政治规矩和工作纪律的严肃性。皮一修无疑是站在正义一方。小说情节就是围绕着这次事件展开的。.........
文化经济兴起的必然性
发布时间:2023-02-11
20世纪90年代以来,随着 经济 的 发展 、科技的进步,尤其是 网络 的兴起,文化的力量日益凸显,经济文化的一体化趋势日益明显。在经济全球化发展到一定程度后,全球化进程的最终决定力量将是文化。因此,越来越多的人认为,在经济发......
浅论老舍小说的悲剧意识
发布时间:2023-05-27
20世纪是中国历史上风云变幻的时代,人的生存状态和生命价值成了现代文学的重要描写对象,老舍是继鲁迅之后又一位直面惨淡人生批判民族劣根性的作家,他将平民意识文化启蒙人道主义关怀融合起来,通过市民生活的书写,展现了20世纪中国......
你才是个悲剧
发布时间:2022-12-28
国家乒乓球队前教练李富荣曾说:“所有的世界冠军只有一个共同点――他们都想当世界冠军。” 我采访谭妮的时候想起这句话。 在她幼年时,英国的街道上几乎看不到残疾人,残疾人通道少得可怜。她去看电影时会被挡在门外;她奶奶不愿......
《哈姆雷特》戏剧中的悲剧因素
发布时间:2023-01-28
AbstractAs one of Shakespeare’s the four famous tragedies, Hamlet is the most remarkable one. It is also the sign of the maturation in the art of Shakespeare’s play. With abundant connotation of the time, vivid charac......
中国电视剧的革命悲剧形象
发布时间:2022-12-15
1前言 在电视剧的悲剧英雄中,有一些这样的人,他们不是一心一意抱着革命的目的而是自我的目的去行动,甚至在战斗的时候都有一定的不情愿的成分,但是他们也是革命者,也为革命也做出了牺牲。电视剧《暗算》作为一部谍战剧,就借助题......
《荆棘鸟》与《穆斯林的葬礼》爱情悲剧比较研究
发布时间:2023-05-28
摘 要: 本文立足于《荆棘鸟》与《穆斯林的葬礼》两部小说文本,运用平行研究的方法,从宗教和性格两个方面分析两部小说爱情悲剧成因的相似点。 关键词: 小说《荆棘鸟》 小说《穆斯林的葬礼》 爱情悲剧 相似之处 小说《荆棘鸟》是澳......
食堂里最悲剧的事
发布时间:2015-08-21
1.一男一女共用一根吸管喝水,这非常非常不卫生,但??自己也很想找个人“不卫生”一下。 2.最痛苦的是,眼看着别人吃分手饭,喝分手酒,自己却孑然一身,独自喝着闷酒。 3.心仪的美女和一个狗P不如的家伙竟然坐在一起吃饭,显得很......
《窦娥冤》的悲剧审美
发布时间:2023-06-01
摘 要:《窦娥冤》作为元代四大悲剧之一,作者运用现实主义和浪漫主义相结合的手法,成功刻画了窦娥这样一个感天动地、惊天地泣鬼神的悲剧形象。本文主要从窦娥的种种不幸和窦娥所处的时代来分析《窦娥冤》的悲剧美。 关键词:《窦......
诺贝尔的爱情悲剧
发布时间:2022-12-20
1850年,17岁的诺贝尔曾在巴黎与一位法国姑娘有过短暂的热恋,不幸的是,那位姑娘不久猝然病逝,诺贝尔伤心不已。 诺贝尔43岁时,奥地利大元帅弗兰兹・金斯基伯爵之女伯莎应聘做他的秘书,诺贝尔对她一见倾心,无奈伯莎已心有所属。......
一只水羚的悲剧
发布时间:2023-01-19
在非洲的草原上,一只猎豹正在追赶一只水羚,眼看着它们之间的距离越来越近,这时,水羚的眼前出现了一条河流。只见水羚奋起四蹄,一下子跃入水中。水很浅,还没不过水羚的四肢,但它却累得站不起身,卧在了水里。猎豹追到了岸边,它......
浅谈自然在莎士比亚戏剧中的作用
发布时间:2013-12-17
浅谈自然在莎士比亚戏剧中的作用 浅谈自然在莎士比亚戏剧中的作用 :艺术试论 美的追求与人的解放 我对美学方法、学科定位及审美价浅谈自然在莎士比亚戏剧中的作用 更多 精品 来源自 3 e d u 海 量 教 案 内容提要:......
悲剧,与我无关
发布时间:2023-06-23
摘 要:个性鲜明、形象各异的女性形象一直是历代小说家热衷刻画的对象,本文选取了现当代小说中本人比较感兴趣的几个典型的偏执刻薄、怪异疯癫又至真至情、可悲可叹的女子形象进行个人化分析,试图从社会环境、出身、宿命等角度对该类......
司法与新闻割裂的必然性
发布时间:2023-01-29
广大朋友们,关于司法与新闻割裂的必然性是由查字典范文网论文频道小编特别编辑整理的,相信对需要各式各样的论文朋友有一定的帮助! 在新闻范畴,法律是公正的制裁者,新闻的全部价值便在于将真实的事实、逻辑全部呈现在法律面前,让......
圆明园悲剧的真相
发布时间:2023-02-01
在火焚圆明园之前,英法联军曾派遣39人的谈判队伍到清廷谈判。但以僧格林沁为主的满人狂妄自大,肆意侮辱折磨来使,草菅人命。在英法的强烈要求下,清政府才释放了幸存的被折磨得没人样的19人。英法强盗制定的万国公法中写道:“凡使......
历练不当出悲剧
发布时间:2023-01-09
1 现年42岁的李广元和妻子张平原是万州区奉节县同乡,十多年前他们来到重庆做起麻辣火锅生意,两人脑子灵活,生意越做越大,资产逾千万。独子李强16岁,喜欢篮球、电脑,还喜欢旅游……李广元夫妇有钱后,在花钱上对儿子从不苛刻。李......
盖然性理论在环境侵权举证责任下的适用探究
发布时间:2023-03-11
一、关于举证责任倒置 最高人民法院《民事案件案由规定》关于环境污染侵权纠纷的分类中,涉及了大气污染、水污染、噪声污染、放射性污染等环境问题。由于环境侵权案件中往往存在着当事人双方经济地位不平等、污染侵害时间较长,相关方......
中国电视剧人物的悲剧冲突
发布时间:2023-03-09
1前言 在电视剧《乔家大院》第四十五集,晚年的乔致庸回忆自己的一生,面对着镜子中的另一个我,像是面对自己的敌人,又或者是一位老朋友,发表了一番庄生梦蝶般的感慨:昨晚我做了一个梦,刮来刮去,这个房子,直接就刮到了自己的院子......
关于莎士比亚悲剧人物圣经神话原型的探究
发布时间:2022-11-25
摘 要: 莎士比亚对人物的刻画与把握最能代表其戏剧水平,其对悲剧人物的塑造借鉴并吸取了许多传统文学的精华,其中最主要的就是对《圣经》的借鉴。分析莎士比亚悲剧中人物的圣经意象,对于深入地探讨莎士比亚作品起着十分重要的作用。......
中国电视剧的小人物悲剧形象
发布时间:2023-03-24
1前言 资本主义工商业的发展、政治的民主化和市民阶级的兴起,让西方近现代社会越来越成为普通人活动的舞台,悲剧作品也更多的去关注普通人的人性和苦难。因此,近现代艺术中悲剧性的死亡已经不一定体现在严肃的事件里死亡的角色也不......
《哈姆雷特》中的女性角色的悲剧成因
发布时间:2023-05-02
摘要:《哈姆雷特》是莎士比亚著名的四大悲剧之一,几百年来,无数的评论家抒发他们对这一伟大悲剧的深切感受和崇高评价。哈姆雷特是这部戏剧无可厚非的主人公,读者和评论家都将视线的焦点集中在他身上。而本文将分析的焦点转向剧中的两位女主人公,即奥菲利亚和乔特鲁德。文章将从三个方面分析两位女性角色的悲剧成因,考察女性在男权社会里的不平等地位是如何体现的。关键词:《哈姆雷特》奥菲利亚乔特鲁德悲剧成因中图分类号:.........
命运悲剧的现代回响
发布时间:2022-09-29
摘要:悲剧是文学艺术的重要表现形式,古希腊悲剧在戏剧殿堂中创下了不朽的辉煌,为其后的剧作家树立了创作榜样。美国剧作家尤金・奥尼尔毕生致力于悲剧创作,并根据时代需要对古希腊悲剧进行改革和创新,使现代悲剧呈现出其特有的时......
话剧演员观察生活的必要性
发布时间:2022-12-14
话剧演员观察生活的必要性 话剧演员观察生活的必要性 :艺术试论 美的追求与人的解放 我对美学方法、学科定位及审美价话剧演员观察生活的必要性 文 章 来 自 3 e d u 教育 网 一九八六年我考入宝鸡市话剧团表演学员......
浅论行政权力腐败的必然性及其遏制
发布时间:2013-12-19
浅论行政权力腐败的必然性及其遏制 浅论行政权力腐败的必然性及其遏制 浅论行政权力腐败的必然性及其遏制 摘要:遏制与治理日益严重的行政腐败问题,是我国法治国建设的要求。通过行政程序法的规范,行政权力的腐败是会得到......
美国同性婚姻合法:历史的必然还是偶然?
发布时间:2023-03-05
这几天,估计大家的朋友圈都被各种彩虹色的新闻刷屏了吧?虽然美国不是第一个宣布同性婚姻合法的国家,但联邦最高法院的这一裁决,却让这个超级大国迈出了巨大一步,对于各国彩虹人群的意义都非常重要。毫无疑问,它将会和联邦法院诸......
实施素质教育的必然性、可行性、科学性
发布时间:2023-03-26
" 一、从应试教育的倾向与社会发展要求之间的尖锐矛盾,看实施素质教育的必然性建国以来,我们的党和国家就一直坚持要使受教育者在德、智、体、美、劳诸方面都得到发展的教育方针,同时,国家教育主管部门为全面贯彻教育方针,努力克服不......
计算思维融入教学的必然性
发布时间:2023-02-01
随着信息化时代的到来,各行各业对高校毕业生计算机应用能力的要求越来越高,已成多样化趋势,然而,高校计算机教学与社会发展需求,与学生就业相脱节等问题越来越突出对此,九校联盟会议将计算思维能力的培养确定为计算机基础教学的核......
英美文学论文:现代文明的悲剧
发布时间:2014-01-09
摘要:为帮助大家撰写论文,查字典论文网为大家带来了现代文明的悲剧,希望您能提出更多好的想法! 一、瓦尔特·莫雷尔的悲剧 1.工业文明的烙印 小说中,瓦尔特·莫雷尔整天酗酒,在妻子眼中是不负责任的丈夫,在孩子眼中是粗暴的父亲。他......
苍凉之上的悲剧人生
发布时间:2023-06-18
摘 要: 张爱玲笔下的人物形象大多带有浓郁的悲剧意蕴。在小说《半生缘》中最具有悲剧性代表的莫过于顾曼璐这个人物形象,她的整个人生都充满了悲剧性:亲情悲剧;爱情婚姻悲剧;人性道德悲剧。研究其人生悲剧对于探讨人物形象具有重要......
解读苔丝的悲剧人生
发布时间:2023-08-04
摘 要:《德伯家的苔丝》是哈代“威塞克斯小说”系列之一。女主人公苔丝天生丽质,自然淳朴,真挚可爱,可谓是美的象征和爱的化身,然而,命运却是短促而不幸的。对于这种不幸,本文拟从社会时代的悲剧、性格的悲剧、爱情的悲剧等多方......
刍论我国建立社会责任会计的必然性(1)
发布时间:2023-02-26
社会责任会计在社会上出现已有30多年的历史,但在我国至今尚未建立。笔者通过走访几十个企业,从掌握企业履行社会责任的第一手材料中,深感我国企业建立社会责任会计已刻不容缓。本文从本世纪末世界上出现的企业新概念和我国可持续发展战......
麻雀的劫难与人的悲剧
发布时间:2023-07-17
不是“过来人”可能很难想像,在20世纪50年代曾兴起过一场轰轰烈烈的消灭麻雀全民运动;而“过来人”对这个“运动”的详情大多也不甚了了,更不知道其中一些人物的命运。麻雀遭劫,最终导致人的劫难。 但这些生物学家的反对意见并未......
多重视域下的悲剧书写
发布时间:2023-05-22
[摘要]哥伦比亚作家加夫列尔・加西亚・马尔克斯的《百年孤独》与中国作家迟子建的《额尔古纳河右岸》在悲剧书写上有一定的共性。在女性视域下,《百年孤独》中的乌尔苏拉和《额尔古纳河右岸》中的“我”都是见证民族百年沧桑历史的百岁......
《再别康桥》的悲剧精神
发布时间:2023-02-10
在胡适等人倡导写新诗、实践写新诗的时代,《再别康桥》臻于至美的外形使无数人倾倒,诗中吟唱着的是诗人理想中的生命,即对爱、自由和美的追求。“淡到几乎没有的内容”有时却是最生动的,爱、自由和美构成了徐志摩的全部生命,他爱得......
浅谈中西悲剧艺术理论的差异
发布时间:2023-03-28
欢迎浏览,以下是给您推荐一篇关于浅谈中西悲剧艺术理论的差异的艺术学毕业论文 论文摘要:西方悲剧艺术在表现形式上多突出人物的内心自省,以及在与自然命运等斗争中展现的生命精神,中国悲剧艺术则体现对现实人生的慰藉。然而无论是......
是川银藏:股神的悲剧
发布时间:2015-08-11
是川银藏――日本股神,投资哲学备受巴菲特、索罗斯推崇。历经两次世界大战,是川从巨富到赤贫,再以70元入市造就神话,最终坐拥金城。 但是川银藏最终以自传诀别世界,一代股市之神落得身披巨债离世――“我决定用自己的手,写下自己......
关于灵魂的唯美悲剧
发布时间:2023-02-07
【摘 要】由爱尔兰作家奥斯卡・王尔德创作的《道林・格雷的画像》,具有很强到唯美倾向,不但文辞绚丽,寓意新颖,有许多带有王尔德特色的俏皮和幽默,深深影响当代电影及文学风格。 【关键词】道林・格雷的画像;奥斯卡・王尔德;......
试论汪曾祺小说中小人物的悲剧
发布时间:2023-06-24
【摘要】 汪曾祺笔下的小人物善良、谨慎、与世无争、自足自乐,虽然也有悲哀,但是这些悲哀和悲伤是读者所感受到的,而那些小人物却是很平静坦然的接受了。在这些小人物的一生中我们没有看到轰轰烈烈的奋斗,也没有看到悲壮的反抗和斗......
试论《骆驼祥子》中祥子的悲剧命运
发布时间:2023-01-29
摘要:老舍是我国著名的现代小说家。《骆驼祥子》是老舍的著名的代表作。老舍在作品中揭示了一个人力车夫的命运悲剧。祥子一开始也是一个勤奋、淳朴的有志青年,在生活的再三折磨下,祥子最终沦落为城市垃圾。老舍通过祥子一开始优秀......
论电视剧的戏剧性
发布时间:2022-07-21
论电视剧的戏剧性 论电视剧的戏剧性 论电视剧的戏剧性 戏剧性概括起来有三种涵义:一是时空的舞台性,二是情节的冲突性,三是偶然、巧合等技巧性。舞台性建立在假定性基础之上。舞台剧在一个三堵墙包围的舞台空......
《我的前公爵夫人》中女性悲剧的生态女性主义解读
发布时间:2023-06-12
摘要:《我的前公爵夫人》是勃朗宁运用“戏剧独白”的写作手法创作的经典之作。其中被叙述者以一个失语的、无名的女性形象被建构着,这种手法深刻反映了女性被压迫的社会地位。本文利用生态女性主义视角,从该诗歌中反映的女性的社会地位、生存状态等角度着重剖析了在父权制社会里,女性与自然都处于被压迫的状态以及女性无声的反抗。关键词:戏剧独白生态女性主义父权制中图分类号:I24文献标识码:B文章编号:1003-90.........
关于“两个必然”理论的思考
发布时间:2023-06-12
摘 要:“两个必然”思想是马克思、恩格斯在《共产党宣言》中提出的著名理论,这一思想作为科学社会主义理论的核心,是建立在唯物史观基础之上并分析社会基本矛盾运动规律所得出的必然结论。“两个决不会”作为“两个必然”思想的实现......
浅论中国古典悲剧的本土化特征
发布时间:2023-03-23
摘 要:中国的古典悲剧在悲剧冲突、角色选择、结构形态、价值取向等方面与西方悲剧有着巨大区别。中国古典悲剧取材于现实生活,剧作家更为关注微贱人物在社会中的坎坷命运,通过小人物与黑暗社会的抗争来突出人物身上的高尚品质,惩恶......
《比悲伤更悲伤的故事》的叙述分析
发布时间:2022-10-03
《比悲伤更悲伤的故事》是2009年在韩国上映的一部面向年轻观众的爱情电影,这部电影不仅获得了良好的票房成绩,同时也成为电影研究中的典型作品。电影不同于小说,在情节讲述中运用摄像机镜头进行全方位的视角展现,不同叙述者的叙述角......
《长恨歌》:都市的男权文化与女性的命运悲剧
发布时间:2023-02-09
摘 要:《长恨歌》中的王琦瑶命运是与上海这座城市纠缠在一起的。繁华的都市培育了女人,而女人也沦陷于它的文化之中,成为它的一部分,并受它的命运所播弄。孤独的个体抗争命运是执著而坚韧的,但都市文化的男权本质又使得女人难逃红......
有一种悲剧叫马鲁菲
发布时间:2023-01-08
一个月前,他在一张印着意大利丙级球队帕加内塞队徽的纸上写下自己的名字,俱乐部Logo上那颗巨大的星星,让25岁的他陷入了沉思…… 一步错,步步错 想摸清马鲁菲衰落的轨迹,还得从头说起。出生于比利时首都布鲁塞尔的他,很小就......
京戏程(派唱)腔悲剧性音色的反差美刍议
发布时间:2023-07-13
京戏程(派唱)腔悲剧性音色的反差美刍议 凡演唱程腔者,其“字、腔”间,真正属“字正腔圆”者微乎其微。正是这些各式各样字腔组合所产生的不同音音色合力及形情张力,方有了独树一帜的程派唱腔。故“字”、“腔”结合所生的音色狭义......
中西悲剧意识中的海明威
发布时间:2014-01-27
摘 要:海明威作品中的悲剧人物具有西方传统的个体受难、抗争的内涵,悲剧冲突具有西方历史—现实感和东方道德感,而悲剧效果的含蓄与中和则有更多的东方色彩。 关键词:悲剧意识;道德感;中和 中西悲剧意识的差异,往往体......
《红楼梦》悲剧精神的新境界
发布时间:2023-05-01
摘 要:在中国文学历史上,《红楼梦》有着不可动摇的地位。因为,《红楼梦》不仅继承了中国数千年来的悲剧文化,还对这种文化进行了创新,从而体现出了一种现实主义精神,进而展现出了现代的悲剧文化。因此,为了对《红楼梦》悲剧精神......
中国贸易增长方式转变的必然性
发布时间:2023-04-06
一、研究问题的提出 关于中国应该采取的贸易增长方式,目前国内外已有相当多的进行了探讨。部分学者认为,根据比较优势理论,中国应该继续利用自身丰裕且廉价的劳动力资源,生产并出口劳动力密集型产品,以推动经济的增长。但也有一部分学......
中国贸易增长方式转变的必然性
发布时间:2016-05-04
摘要:笔者通过出口相似度指数和显性比较优势指数,对中国和东盟出口至美国市场的劳动力密集型产品做对比分析,得出中国所拥有的劳动力比较优势已经出现减退,面临着来自其他国家越来越大的竞争,依赖于劳动力优势的贸易增长方式已经不太适......
浅析《美狄亚》的悲剧色彩
发布时间:2023-06-26
美狄亚,是复仇女性的代表,也是守护神,守护所有遭受不忠,被嫉妒所痛苦的女性们。她爱上一个外邦人,甘愿放弃公主身份、盗取国宝金羊毛、杀了弟弟,随他颠沛流离。而最终,她的爱和勇气,以及做出的所有牺牲,最终却成为了一个笑话。......
祥林嫂悲剧命运的根源
发布时间:2023-04-03
在中国漫长的封建社会,女性处于一种附属、附庸的地位,备受侮辱与歧视,作为一个弱势群体,在历史上呈现缺席的状态。文字最能反映一个民族的文化,汉字中很多带有“女”字旁的文字含有对女性的歧视与侮辱,如“妒”“妨”“妖”“妄......
从《宠儿》透视美国黑人女性的悲剧与成长
发布时间:2023-01-22
AbstractToni Morrison is the only Afro-American woman writer who wins the Nobel Prize for literature, and her works are well-known for vivid images, copious emotions and profound thoughts. Her works are always presented......