毕业论文
摘要： 本文试图以藏族的“卓”、“谐”、“果谐”、“热巴”这4种舞蹈为主，从它们的伴歌（调式、旋律）、歌词（内容和速度）、队列队行变化、舞者体态（模仿、技巧动作）、舞蹈中道具和舞者的服饰等方面来浅析藏传佛教（即喇嘛教）在藏族舞蹈中的宗教内涵。
关键词： 藏传佛教 藏族舞蹈 “卓”、“谐”、“果谐”、“热巴”
宗教内涵
Abstract This text attempt with " tall and erect " of Tibetan, " in harmony ", " fruit in harmony", " hot Palestine " these 4 kinds of dances for main fact, From their companions song (the mode , melody ), lyrics (the content and speed ), the team is queued the conduct change, dancers figure ( imitating , skill movements), The props come to simply analyse the religious intension of Tibetan Buddhist in the Tibetan dance with such respects as the dancers dress ,etc. in the dance.
Keywords Tibetan Buddhist Tibetan dance " tall and erect " , " the fruit is in harmony " , " hot bar " " in harmony " Religious intension
绪 论
在我们56个民族的大家庭中，藏族是1个极具宗教意识和地域特色的民族。歌舞对藏民族来讲，犹如阳光和空气1样的重要，能歌善舞是藏民族的天性，他们使“世界屋脊”的雪域圣地变成为举世公认地“歌舞的海洋”。舞蹈和宗教活动又密切相关，有如明溪与潜流交汇含溶，且渐次形成独立的风格与个性。藏族舞蹈中的宗教内涵是不容忽视的。
