毕业论文
摘 要
本文分别从色彩和调性两个方面来阐述20世纪前欧洲和声半音化。笔者着重从每个时间阶段色彩的表现作用、谱例分析及调性的变化发展来说明其变化过程。从而分析出在半音化手法中色彩与调性是1对矛盾体，它们相互对立、相互统1。通过对色彩与调性关系的了解，创作者可以根据不同的音乐风格特征，运用不同的表现手法。从而达到更好、更具创新的作品。
关键词：半音化；伪乐；离调性半音化；旋律性半音化；和声性半音化
ABSTRACT
The essay expounds chromatic development for harmony before 20th in Europe from two aspects of tone color and tonality. Writer keeps focus on displaying effects of tone color. Example-analyzing and developing of tonality for each period to show its developing course. From which writer analyze and know that both tone color and tonality in chromatic technique are self-contradictory. Both of them contradict and unify each other. By way of understanding the relationship between color and tonality. Composer can achieve better and more original works by employing different expressing way. Based on different feathers of musical style.
Key words: Chromaticism; music false; Semitone before suiting well; Melody of sexual halftone; Harmony of nature halftone
